Irving Geis pioneered the art of illustrating molecules. In the 50 years that followed the debut of his 1961 myoglobin painting, the field of molecular illustration saw many changes.
Geis spent 6 months creating his watercolor painting of myoglobin—the first protein structure ever solved. He used a fine brush to shade the hundreds of chemical bonds in the molecule’s TINKERTOY-like lattice.
Geis went on to create hundreds of other molecular illustrations. His initial paintings showed elegant frameworks of balls and sticks that highlighted specific elements, like the glowing heme component of cytochrome C depicted here.
Over time, Geis’s style evolved and his work became more stylized. In this illustration, imposing dark tubes representing myoglobin’s structure are illuminated by a floating disk-like heme cofactor.
In the early 1980s, Jane Richardson devised a simple scheme using ribbons to depict the overall fold of a protein. She shaded the ribbons on this subunit of superoxide dismutase blue and green to match the color of the actual protein’s crystals. A lightning bolt of yellow shows the location of the disulfide bond.
This ribbon schematic of triose phosphate isomerase shows Richardson’s unadorned, clean style. Alpha helices are depicted as shiny corkscrewed ribbons, beta-strands as gently twisting arrows, and loops as thin spaghetti-like tubes.
Eventually, computer programs like Mike Carson’s “Ribbons” were able to mimic Richardson’s fluid sketches. Here, the protein neuraminidase’s cave-like structure envelopes an inhibitor compound.
To show the big picture, David Goodsell created cellular landscapes, like this cross-section of the single-cell bacterium Escherichia coli, using ink and watercolor.

















